- 1.The Nomadic Artist: Introduction
- 2.The Nomadic Artist: Week 1
- 3.The Nomadic Artist: Week 2
- 4.The Nomadic Artist: Week 3
- 5.The Nomadic Artist: Week 4
- 6.The Nomadic Artist: Week 5
- 7.The Nomadic Artist: Week 6
- 8.The Nomadic Artist: Week 7
- 9.The Nomadic Artist: Week 8
- 10.The Nomadic Artist: Week 9
- 11.The Nomadic Artist: Week 10
- 12.The Nomadic Artist: Week 11
- 13.The Nomadic Artist: Week 12
- 14.The Nomadic Artist: Week 13
Pictured Above: More than 850 species witnessed at residency in Saratoga, WY. Photo Credit: Richelle Gribble
Humankind has not woven the web of life. We are but one thread within it. Whatever we do to the web, we do to ourselves. All things are bound together. All things connect.
— Chief Seattle
It’s a wrap! After four weeks on the ranch, it is clear that we made each day count. The final week was challenging as all of us concluded our projects: a composer outlined and drafted a plan for his entire 1-hour composition commission; an artist made final touches on her sculptures for exhibition upon return to Seattle; and an author completed his book (a two-year endeavor) that is now sent to agents and publishers for review. We all arrived to the ranch with a project in mind and got to see our efforts turned into reality.
A residency experience provides time and space to create work, focused primarily on the process of creative development. But the final week of a residency is about plotting the lifespan of our projects once complete. Making art is only one stage of a greater chain of events, bringing it outside of the studio to be seen, experienced, sold and appreciated. We were so focused on the present creation of the work and now we are looking outward, future planning. Now it is time to bring the work outside of the studio to be activated and brought to life within the public sphere.
Hiking the grounds on my last day at the program. Photo Credit: Richelle Gribble
It is somewhat nostalgic in the final days of the program. Each artist slowly prepares to leave, whether submitting applications to plan for the next creative excursion or calling family members to reconnect with loved ones, we begin shifting back to reality. We say our goodbyes, discretely hiding notes and gifts in each other’s luggage and part ways, hopeful that our artistic careers will cross paths again.
Although sad to leave this beautiful place and incredible people, I am thrilled to be connected with this group with open invitations to their homes from Chicago to Spain! Artists need to build these bridges with one another, shrinking the world and connecting us across the globe. I find it to be professionally beneficial and personally relieving to know that there are people I know in the places I travel. Whether ‘weak ties’ or ‘strong ties’, this growing social network makes a new place feel less foreign, not so far away. We are all bound together in a social web, exchanging creativity and insights across borders and boundaries.
Grateful and honored to be selected for the Brush Creek Residency and highly recommend this program to fellow creatives looking to recenter, rejuvenate and connect with others. Sincere thank you to the jury committee, support staff, and the generous founders Bruce and Beth White for providing artists with a haven for creativity and growth.